It's our Interior Design Magazine!
The hottest interior design ideas, fab finds for the home and the latest in interiors trends. We're always looking for new finds, designers to feature or anything else lovely for the home, so if you've seen something gorgeous and would like it featured in our interior design magazine, please get in touch!
Put some swagger in your style with our tips on how to decorate a bachelor pad.
Boys will be boys... we look at how to decorate a stylish and modern masculine bedroom fit for any man.
A masculine palette craves colour that invokes feelings of strength and power; colour blocking with black, white, grey, blue, green or purple will give a modern and striking look. A bold monochrome scheme will maintain a fuss-free style that limits you to two colours; however, you can keep a white and blue scheme looking fresh, for example, by bringing in boyish navy blue or grey tones in your fabrics and accessories.
Mocha browns can be enriched by cream shades or dark indigos that are accented with warmer ochre tones. Avoid pastel hues because they have a softer and more feminine feel that will contradict and confuse the look.
Wallpaper, for example the Ribbed wallpaper or Monroe Special Surface, both from 95% Danish, will add texture and drama to your room. The geometric pattern in the Monroe wallpaper is in keeping with the colour block trend and shows how pattern can be incorporated into masculine style. To keep the look minimalist, try wallpaper on a feature wall behind the bed to draw attention and create impact.
Wall art is a great expression of personality as well as a form of escapism. Choose from a selection of exciting prints from 55Max available on Furnish, including images of favourite football memories and iconic film shots.
Don’t overdress the bed, this isn’t the time to go for hundreds of cushions and throws. Choose a matching duvet set and either use a solid colourway or go for plain stripes in dark colours. Pick either a lighter or darker shade of the colour you have on your walls and use this in your bedding to indulge in a cohesive look that isn’t fussy or high maintenance. The Lavina king size duvet cover from Coco Male, tailored in a deep charcoal, gives a luxurious look that any man would be proud to show off.
In a masculine bedroom you can’t go wrong with functional lighting that offers a quirky and innovative style. The Foscarini Diesel fork table lamp from Utility is a unique design, and the anodised metal base has the flexibility to allow the head to turn 360 degrees for directional or general ambient lighting. Or choose the Flos Gun bedside table lamp, also from Utility, which was designed by Philippe Stark who based his idea on a Baretta pistol hand gun. This feature piece instantly conjures up connotations with James Bond: how could any man resist?!
Furniture and storage
Opt for black or natural wood tones for a contemporary look. The black-antiqued lacquered finish of the Oriental Shanxi wardrobe from Puji will be set off by the earthy tones of your colour scheme. With a drawer, an internal shelf and a hanging rail, this should provide sufficient space for work suits, shirts and shoes.
The Nest bed range from Heal’s is upholstered in fabric with a padded pillow-style headboard. It has a mechanism which allows the mattress to lift to reveal storage space which is perfect for all those manly keepsakes that would otherwise clutter the room.
For a simplistic look choose natural wood flooring in dark tones such as teak and walnut that will give a practical and contemporary feel. Rugs, such as the Sable green rug from Puji, will soften and bring texture and warmth to wood flooring. Or bring out a man’s wild and adventurous nature with some animal prints; try the Zebra print cowhide from The French Bedroom Company to match your monochrome look and add visual interest to your floor.
A restrained masculine style is uncomplicated so accessorising will involve sticking to the essentials. The Eclipse mirror from Tom Schneider is available in a selection of wood finishes, which will make a dark room feel lighter and more spacious.
Finally, if cushions are a must then the Etch baguette cushion from Margo Selby combines black, silver and cream colours in a woven fabric giving a 3-dimension feel that will give depth to a monochrome scheme and is suitably manly.
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Help predict the future with these Zodiac cushions by Jonathan Adler from Supernice. £70
Star signs are funny things aren’t they? Some people live their lives by them and others poo poo them as utter rubbish.
My Mum swears blind that she’s never surprised to learn of someone’s star sign while my OH think they’re complete claptrap.
Me, I’m a Pisces, which means, if you believe all that stuff, that I am prone to daydream, am fairly physical and have a fierce temper. Hate to admit it but those are fairly true.
Still, while I’m not going to start checking my horoscope on a daily basis with the hope of winning the lottery or travelling to a far flung destination, I do rather like these new cushions by Jonathan Adler from Supernice.
Depicting all twelve signs of the Zodiac, they are made from brightly coloured needlepoint and offer a witty way to brighten up a plain sofa.
Of course, I will be buying the fishy-inspired Pisces one but I reckon they’ll make a fun present for even the most sceptical of non-believers.
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Elegant and evocative, neoclassical style has timeless appeal. Check out our period style guide and get the look at home.
Elegant and evocative, neoclassical style has timeless appeal. Check out our period style guide and get the look at home. Inspired by the ancient world, and fuelled by a spirit of adventurism, neoclassical architects transformed British design. Initially confined to handful of wealthy patrons and collectors, neoclassical style became hugely popular in the 18th century and remains an enduring influence today.
Neoclassicism emerged in Britain and France as a coherent style in the 1750s. Known to contemporaries as the ‘antique manner’, it flourished into the early years of the 19th century. Inspired by a resurgence of interest in ancient Greek and Roman design, the new style was fuelled by archaeological discoveries such as at Herculaneum and Pompeii in Italy, and Palmyra in Syria. Several publications celebrated ancient art and design, cataloguing archaeological finds and illustrating antique ornament and sculpture. This was the great era of the European Grand Tour; wealthy adventurers, architects and collectors travelled to the sites of antiquity, studying (and systematically plundering) the remains of the classical past. Architects pioneering the neoclassical style in Britain were James ‘Athenian’ Stuart and Robert Adam, both of whom had studied in Rome. These designers sought to create a distinctively modern yet eternally valid ‘true style’, arising from the ruins of the ancient world.
Completed by Robert Adam, Kedleston Hall in Derbyshire is a fabulous example of neoclassical architecture and interior design. The magnificence of the exterior, with its columned portico surmounted by three classical figures, stone carved roundels and niches for sculptures, is matched by the evocative interiors. The Marble Hall features twenty enormous Corinthian columns, friezes depicting ancient scenes and wall and ceiling decorations depicting classical and mythological creatures, swags and festoons. Adam’s dining room at Kedleston Hall is a characteristically unified scheme, incorporating neoclassical furniture, utensils and decoration, all of which he designed. He sought to suggest the rooms of the ancients adapted to modern usage, and created a highly distinctive decorative style. Walls and ceilings (as well as floors in the form of patterned carpets and inlays) were decorated with plasterwork tablets and small-scale plaster ornament, distilled from ancient and Renaissance sources. It was Adam’s skill as a colourist that set him apart from anything that had gone before. Inspired by the use of colour in ancient interiors, his patterned ceilings in particular were brought to life with highly pigmented hues: shades of pink and green, turquoise and blue were classic Adam choices. He was also a prolific self-publicist. Printed catalogues of Adam’s designs popularised the neoclassical style and had a lasting influence on British architecture and interiors.
The decorative vocabulary of neoclassicism was expressed across the entire visual arts, from architecture and interiors, to ornamental and useful objects of all kinds. Symbolic of the ancient world, the vase was a dominant feature of neoclassical decoration. An absolute mania for vases and urns spread rapidly in the second half of the 18th century. Josiah Wedgwood is synonymous with exploiting this insatiable market, plundering sources ranging from printed catalogues to excavated pottery, and producing a vast array of neoclassical ceramics at his Staffordshire factory (aptly named Etruria). Neoclassical designers also used the iconic vase shape for a variety of practical objects such as sugar bowls, plate warmers and stoves as well as a design motif for surface decoration.
The classical figures depicted in ancient Greek and Roman art provided 18th century designers with sources of both subject matter and style. Again associated with Wedgwood pottery, classical figures were used to decorate all sorts of objects, as well as walls, ceilings and the facades of buildings. The cameo format was especially popular and figures in cameo were applied to objects ranging from chimneypieces and furniture to jewellery. Real animals as well as creatures of mythology were also fashionable decorative devices. Dolphins, lions, sphinxes, griffins and satyrs often formed the bases or handles of neoclassical objects.
Ornamental plasterwork as well as inlaid, engraved and relief decoration on all manner of objects often took the form of swags, tassels and festoons. These hanging garlands of fabric, ribbons, flowers and scrolling foliage were based on Roman ornament. Lines of small beads were another characteristic neoclassical motif. While beading was a feature of classical architecture, it was adapted in the 18th century for use as decoration on small-scale objects. This is just one example of the way in which neoclassical designers experimented with and moved beyond the ancient models that inspired them. This imaginative response to the antique, focussing on evocative visual and scenic effects rather than strict rules of architectural logic, is typical of neoclassical design.
It’s this freedom of interpretation and expression that makes neoclassical design so enduring and also easily combined with other styles. For example, Greek, Roman and Egyptian motifs were taken up by Art Deco designers in the 1920s and 30s. Lamps are a simple way to introduce neoclassical accents to a room. The classical urn shape forms the base of Occa Home’s Cavendish table lamp, The French Bedroom Company’s Claridges lamp and OKA’s quirky Silhouette lamp. Roman columns inspire the Athena and Artemis lamp bases, also from OKA. Mirrors are another simple way to achieve an elegant neoclassical look. The French Bedroom Company’s Burnished Beauty mirror features Adam-style decoration including swags and beading. The Nordic Grey mirror from Sweetpea & Willow has simple yet striking architectural detailing and the Large Oval mirror is a typical neoclassical design. Ghost Furniture offers a playful take on neoclassical themes with its footstool adorned with a Roman plaster foot and Marie Antoinette chair with a cameo profile backrest. Sweetpea & Willow’s elegant Fig Leaf chair features the Greek key pattern, neoclassical beading and leaf details, with calico upholstery and a black ebonised frame. The monochrome Roman Console from Benchmark is a fabulous contemporary take on neoclassicism and reminiscent of Art Deco interpretations of the style. For a more traditional look, try the silver beaded console from Brissi.
Add a touch of elegance to any room with neoclassical accents.
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Be eco chic with this Recycled Tyre Trunk from Tread. £250
We are so far along from eco interiors meaning a hemp cushion or a ridiculously expensive throw and nowadays it seems everyone has at least one “eco” product in their collection. My favourite eco company of the moment is Tread. These clever peeps take old tyre treads and turn them into everything from picture frames to planters.
My pick of the bunch is the storage trunks, available in small, medium and large. Just the thing for stashing everything from towels to out of season clothing, each trunk is handmade and because each one is created from a plethora of tyre treads, no two are the same.
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Go all romantic with this warming Married Life print from Pearl & Earl. £25
Because I am getting married next year, I have naturally become a tad obsessed with everything to do with weddings.
With the venue chosen and the date booked, there’s now the dress, cars, cake and invitations to consider. The list goes on and on and I now know why weddings take a year to plan. One of the things top of my list is wedding readings, since it will be a civil ceremony and it’s really important to me. Nothing too slushy but equally not too serious, which is how I stumbled across this Married Life poem print from Pearl & Earl.
The poem was written by Jacquie Pearce, owner of Pearl & Earl as an anniversary present for her husband.
The perfect wedding gift for a future spouse or even friends and family, the print can be customised to include the date of your wedding or anniversary.
Now I promise this will be the only wedding-inspired Fab Find, trust me, I’m not a Bridezilla... yet...
Sneak a peak behind closed doors.
Heritage Open Days celebrates England’s architectural and cultural history by throwing open the doors to interesting properties either normally closed to the public or normally charging an entrance fee. Every year on four days in September visitors can satisfy their nosey inclinations for free, peaking into properties ranging from castles to factories, town halls to tithe barns, Buddhist temples to Masonic lodges, mines, windmills and private homes. Coordinated by English Heritage it’s a once yearly chance to discover hidden architectural gems and enjoy a range of tours, talks and activities bringing local history and culture to life. Simon Thurley, English Heritage Chief Executive says: ‘Heritage Open Days is about people and places; it celebrates community and reflects the importance of the built environment in our lives and to our quality of life. It is organised by local people who dedicate their spare time to opening properties and staging activities, and it is their knowledge and enthusiasm that makes Heritage Open Days happen.’ The Event Directory has just been launched and allows you to search more than 4,000 buildings of every style, period and function, to find out what’s on in your area.
Highlights this year include Bentley Priory in Stanmore, Hertfordshire, the Battle of Britain Command centre which has been closed to the general public during its 70 years as an RAF base. The Second World War Beacon Hill Radar Tower at Harwich, Essex, and the Royal Air Force College in Cranwell, Lincolnshire are also well worth a snoop. The 18th century ironstone Gothic Temple at Stowe, Buckinghamshire will also open its doors, with its wonderful circular domed vault and magnificent views over the Stowe Landscape Gardens. Built in 1845 in the Gothic Revival style, The Grange in Ramsgate, Kent is well worth exploring as the former home of Augustus Pugin, oddball architect of the Houses of Parliament.
In Bristol, the Aardman Animation headquarters offers a glimpse of a cutting-edge sustainable building, home to the creators of Wallace and Gromit. A pioneering example of energy conscious design, Norman Foster’s kidney shaped, glass sheathed office block, the Willis Building in Ipswich, Suffolk, is the youngest building to receive grade I listed status. Completed in 1975 it’s a must-see for modern design devotees. Anderton House in Barnstaple, Devon is another exceptional example of 1970s design, still furnished with contemporary curtains, furniture, ceramics and paintings. And a quintessential Modernist home, The Concrete House in Bristol, was built in 1934 and designed by Basil Ward of architectural firm Connell, Ward and Lucas.
Romantics and music lovers will enjoy the honeymoon destination of composer Edward Elgar, No.3 Alexandra Gardens in Ventnor on the Isle of Wight, one of eight grand Victorian villas overlooking the Isle’s south coast. Heritage Open Days properties associated with the arts also include the former home of Jane Austen’s brother, Chawton House in Hampshire, and the Elizabethan North Lees Hall in the Peak District National Park: said to be the inspiration for Charlotte Bronte’s description of Mr Rochester’s House, Thornfield Hall in Jane Eyre.
An interesting historical curiosity, The Fisherman’s Hospital in Great Yarmouth, Norfolk, was founded in 1702 to provide housing for old or ‘decayed’ fishermen who could no longer support themselves. There are charming ornamental details and Saint Peter, patron saint of fishermen, stands proud on the roof of the brick building. Staying on the English coast, one of Hastings’ intriguing net shops in East Sussex, built in 1835 to store fishermen’s equipment, will reveal its old nets, ropes, corks and sails, all evoking salty sea dogs and the perilous high seas.
Up North, some of England’s great Victorian theatres open their doors with special backstage tours of both The Journal Tyne Theatre and The Theatre Royal in Newcastle and Leeds’ Grand Theatre & Opera House. And for sports fans, there’ll be tours of the Victorian Jesmond Dene Real Tennis Club in Newcastle, Chester Racecourse, the country’s oldest racecourse dating to the early 16th century, and Molineux Stadium, home to Wolverhampton Wanderers since 1889. Dip your toes into local history at Georgian swimming pool, The Cleveland Pools in Bath, Somerset and 1930s lidos including Broomhill Pool in Ipswich, Suffolk and Sandford Parks Lido in Cheltenham, Gloucestershire.
Heritage Open Days is England’s contribution to European Heritage Days, in which 49 countries now participate. In the UK, four other schemes open doors in September: Open House London, Doors Open Days in Scotland, Open Doors Days in Wales and European Heritage Days in Northern Ireland.
We delve into Margo Selby’s vibrant world of woven textiles.
Margo Selby is a woven textile designer with a passion for design, colour and textiles. Since launching her first collection in 2003, with the help of a development award from The Crafts Council and with the success of her business, she has been able to showcase her beautiful designs in her own shop. The stylish design store opened in central London in November 2007.
Through her contribution to interior design, Margo has collected various craft and design awards and has been involved with high profile design projects including Hidden Art Select, Eureka and Design Nation. Her patterns and hand woven textiles have quickly become household favourites, and they are sold in many shops and galleries all over the world.
Margo’s collection optimises her love of colour and displays her skill in working with woven textiles. Margo trained at Chelsea College of Art and Design where she gained valuable experience in knitting, printing and weaving before going on to gain a postgraduate degree from the Royal College of Art. Following on from this she spent eighteen months at The Ann Sutton Foundation where she explored using industrial machinery to manufacture her unique, trademark 3-dimensional fabrics. Margo was influenced by a family tradition of cross-stitching and crochet knitting and she developed a love for making things from textiles and any other fabrics she could get her hands on. Her collection demonstrates all of her skill and passion for textile design in a selection of fabrics, cushions, throws and wallpaper that are full of vibrant colours and patterns that instantly catch the eye.
Earlier this year Margo took part in the BBC series of ‘Mastercrafts’ which saw her mentor three craft enthusiasts and teach them how to weave. This involved going behind the scenes of Margo’s studio where there is a 24-shaft dobby loom that is used to develop fabrics for future production. The hand-woven step in the design process allows for the experimentation of structure and fibre combinations. It is obvious that great care is taken throughout the design and manufacturing processes to guarantee that all products are made to the highest quality.
Margo’s bespoke fabrics are made from luxurious silk and Lycra fibres and woven in a double cloth structure to create a 3-dimensional quality.
Margo’s hand knotted rugs are luxurious and encompass her signature style by using colour and geometric pattern to create aesthetically pleasing designs. The bespoke range was launched in 2008 and allows customers to choose rugs in all colours, sizes and patterns. Each one is made with a combination of wool, silk, and banana silk which is a sustainable and luxurious yarn made from the fibre of a banana tree. It’s clear why these are Margo’s hero products, achieving the ‘Best Surfaces and Finishes Product’ in the Grand Designs Awards, 2009, and they’re a great example of how sustainable materials can be used in interior design to make stylish and durable products.
Bringing another dimension to the world of interior design, Margo’s unique upholstered panels are a fabulous way to add interest and texture to your walls. They’re carefully designed and can be made to match your colour scheme.
For her first collaboration, Margo teamed up with ‘People Will Always Need Plates,’ which saw a fusion of Margo’s unique and structural approach to weaving with their architectural inspiration and graphic drawing style. The project named ‘Trellick Tower’ includes a range of textiles and lifestyle products from floor cushions to wall panels, and it has gained a vast amount of interest since its launch at 100% Design 2009. The Trellick fabric marked the beginning of an ongoing relationship between both companies; in fact, Margo is currently working on another collaborative project with them for an iconic London-based company. This will involve new woven fabrics being developed to incorporate graphics designed by ‘People Will Always Need Plates’.
Also, we are eagerly anticipating Margo Selby’s new interiors range which is currently being developed; this will include a collection of upholstery fabrics, and this is due to be launched within the next year.
Visit Margo Selby on Furnish for more information about all the products, and to buy online.
Jazz up your walls with this quirky Porcelain wallpaper from Catkin Collection. £120 a roll
There’s lots of beautiful wallpaper out there, but my favourite at the moment is this Porcelain design from Catkin Collection.
Inspired by a collection of vintage plates found in antique markets, this design is truly eclectic and very pretty wallpaper.
The perfect choice for a dining room, try using this wallpaper in a couple of alcoves or use it to line the doors of a retro sideboard.
And Catkin Collection hasn’t stopped at using plates as inspiration for wallpaper; their Vintage Ribbons design is equally as gorgeous and ideal for those who want to add some stripes to their scheme.
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Make your home blossom in pink.
A typically feminine colour, reminiscent of little girls bedrooms and roses, we take a look at how pink can work in the home.
Choosing the right pink:
As pink is not a primary colour, it is important to consider mixing various shades and tones to provide a balanced colour scheme. Its versatility makes it an easy colour to decorate with, and we think it’s time you discovered the decorative opportunities that pink has to offer. ‘Shocking pink’ was fashion designer, Elsa Schiaparelli’s signature colour and she described it as: “life-giving, like all the light and the birds and the fish in the world put together, a colour of China and Peru but not of the West."
Subtlety is a key element because sweet candy shades can turn sickly, so keep your pinks sweet and innocent and play around with various tones to create a balanced colour scheme. Take your testers home and check how pink looks on your walls depending on the light; choose pinks with a warm undertone to give your room a blushing look and use pale, pastel pinks as base colours and as backdrops on walls. For a living area or bedroom, brighter and deeper shades of pink look dramatic and sharp, invoking drama and excitement. Or for a chic home office or study, add the vibrant, fuchsia pink French Kiss armchair from Sweetpea & Willow to remind you that life is not all about hard work.
Hot pinks work well with white and grey in a monochromatic scheme because when combined they give a sophisticated look and enhance the calming tones of pink. Generous amounts of white will keep your room feeling fresh and airy, whilst adding grey will give a more masculine feel. If you want to give a cool or dark room warmth, burnt oranges and reds work particularly well with magenta pinks on rich textures and fabrics, for example, try the Clarissa Hulse patchwork cushion from Heal’s which combines the rich colours on this silk, cotton and velvet cushion cover. These are considered to be warm tones but too much of them in a room can create an uneasy ambience, so restrict these colours to highlight feature pieces and they will look fabulous.
Green complements pink because it gives a stark contrast, and you may not normally think of using these colours together; however they provide a fresh and natural look that will never look outdated. For a modern look choose a pastel palette of pink and green that will give your home a fresh spring look throughout the year. Think of pink flowers in nature combined with the beautiful green foliage, and you will have instant inspiration to start accessorising with flowers and vases. Go for the Vintage ceramic rose plant pots from Graham & Green to give your room some character and choose floral wallpaper or fabrics to marry your theme together; the Rose-print cushions from Graham & Green, for example, will highlight blush pinks shades in your room to give your home a retro, period look.
Using pink as an accent offers the perfect way to inject some colour into your scheme without going over the top. Try adding a few cushions to a neutral sofa or a mixture of different shaped and textured vases along a mantelpiece. Stick to one shade of pink throughout the room for a cohesive look that will work well alongside a base shade.
Find a new way to leave notes with this quirky ceramic postcard from Bob By Post. £12.95
There’s something really wonderful about receiving a postcard, tales from friends in far flung destinations, squeezing their news into the tiniest of spaces and signing off with a “Wish You Were Here” flourish.
Which is why I have fallen for this ceramic postcard from my favourite new online find, Bob By Post.
You can hang it on the wall or better still leave it on a console table in a hallway for members of your family to jot down notes to each other.
Much more personable than a text or one of those 02 family calendar thingys (did that ever take off by the way?) it comes with its own dry wipe marker.
And its eco friendly too – just think what how many Post It notes you’ll save.
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Relax in style with this charming leather dog footstool from Cocoboat. £349.95
Regular readers will know that I yearn to have a dog. They're by far and away my favourite four-legged creatures whatever their breed, size, age, colour etc.
Unfortunately, time doesn't allow for one - so I have to make do with my boyfriend's Mums one or as I affectionately refer to him , my future brother-in-law.
Yes, I know, I'm barking mad (sorry that is an appalling pun - but I couldn't resist).
So, in the absence of the real deal, I'll just have to make do with this leather dog footstool from Cocoboat.
Freakishly realistic, well if you squint a bit, this footstool is crafted from Italian leather and even has a rather fetching collar.
Perfect for resting your feet after a hard day's work, it's also rather cute.
So, before I am able to go and rescue my pup from Battersea or The Dog's Trust, this little chap is coming home with me.
In the first of our new series, looking at design through the ages, we visit the wonderful world of Baroque.
Baroque your world…
Big, bold, and to modern eyes somewhat brash; Baroque is an architecture of imposing scale and exuberant detailing, a theatrical performance of mass and volume. Originating in Italy and taken up with gusto by the French monarchy, England witnessed a late blooming of Baroque style in the late 17th and early 18th centuries. Perhaps the most well known expression of English Baroque is the monumental St Paul’s Cathedral (1675-1709), designed by Sir Christopher Wren. St Paul’s epitomises Baroque handling of architectural form in a direct assault on the emotions: the vastness of scale, prodigious use of classical architectural language, and intensity of detail. Magnificent examples of English Baroque in domestic architecture, though hardly on a domestic scale, are Blenheim Palace in Oxfordshire and Castle Howard in Yorkshire; John Vanburgh and Nicholas Hawksmoor built both in the early decades of the 18th century. This was an age of palaces and era of architectural extravagance.
Intended as a monument to British military prowess, Blenheim Palace arrests the spectator the moment its fantastic roofline comes into view: a play of piers and pinnacles on a multitude of towers. Up close the awesome vastness of the classical exterior is overwhelming, with its giant order of columns and pilasters and relationships of massing that change as the spectator moves. At Castle Howard an enormous dome crowns the central block, bathing the Great Hall below it with light. The dramatic performance of mass and volume is combined in Baroque architecture with complex detailing and a sculptural attitude to the façade. Along with columns and pilasters, pediments and porticos, architectural modelling included figure sculpture; allegorical and armorial friezes; animal masks and grotesques; scrolling foliage and festoons of fruit and flowers.
Sculptural exuberance continued in Baroque interiors. Elaborate doorcases and chimneypieces, interior columns and pilasters, were meticulously stone carved. Embellished with botanical scrolling ornament, deeply projecting plasterwork on the ceilings was matched by complex three-dimensional carved wood and plaster decoration to the walls. In a play of recession and relief, illusionistic frescoes were painted within the projecting ornamental borders; these large-scale wall paintings depicted fantasy landscapes populated with biblical and mythological figures. Wall treatments also included lacquering and embossed leather, rich tapestries and damask wallpaper. Seat furniture was luxuriously upholstered, gilt-wood furniture imitated gold, and four-poster beds were swathed in sumptuous embroidered fabrics. Intense jewel colours such as crimson, emerald green and gold enhanced the splendour of Baroque interiors. Silverware took on extravagant sculptural forms, with botanical, mythological and figurative detailing. Mirrors featured carved and moulded surrounds or were overlaid with brightly painted borders depicting chubby putti, classical architectural motifs and scrolling foliage.
Decoration, furniture and furnishings were stylistically unified in Baroque interiors. This level of stylistic coordination, the ‘more is more’ attitude, and the monstrous scale of Baroque design would look spectacularly odd if replicated at home; but the spirit of Baroque, the sense of drama, richness of materials and profusion of ornament that characterised the style, can be introduced though accent pieces in modern settings. The exaggeration of architectural details and a sense of theatricality are classic Baroque hallmarks. A bold Baroque-inspired accent piece is a nod to this spirit. It’ll create a strong focal point, evoking the opulence of the era without overpowering the whole room. You can find the best of Baroque style on Furnish; just don’t go for a full on pastiche by cramming it all in one space.
Barneby Gates’ Deer Damask wallpaper is a contemporary take on sumptuous Baroque wall coverings. In rich claret and gold, stag horns and thistles are arranged in a damask style repeat. If you’re inspired by Baroque frescos, Surface View creates bespoke wall coverings with exclusive rights to reproduce narrative, landscape and early religious masterpieces held in the National Gallery. Mirrors are a great way to introduce Baroque detailing at home without sacrificing on space. Graham & Green’s gold over-mantle mirror with shell carving and Sweetpea & Willow’s gilt-wood mirror with scrolling foliage are fabulous statement pieces for the living room or entrance hall. Perfect for the bedroom in antique white, the bevelled mirror from Oliver Bonas has an intricately carved three-dimensional surround featuring botanical ornament.
Directly influencing the development of English Baroque, the ornate furnishing style of the court of Louis XIV is emulated in the Versailles furniture range from the French Bedroom Company. Highlights include the gilt-wood and raw silk chaise, the silk damask bench and the marble topped console table. The Twilight bed from Sweetpea & Willow has four twisting pillars, reminiscent of the lathe-turned spirally twisted legs characteristic of Baroque furniture. An equally dramatic centrepiece for the bedroom, Sweetpea & Willow’s Gilt Gold bed features virtuoso gilt-wood carving and grey-gold raw silk upholstery. If you’re looking for something less overtly ornate, the high-backed sofa upholstered in black velvet from Rose & Grey captures the opulent spirit of Baroque in a simple but striking piece of furniture. And for a truly contemporary interpretation of Baroque exuberance, check out the stunning Fin chair from BODIE and FOU, upholstered in turquoise velvet and adorned with feathers.
Go bold and beautiful with Baroque-inspired style.
Enjoy casual dining with these bowls and spoons from Mocha. £25.99 for a set of two
Of course it's nice to have smart tableware for special ocassions but sometimes you want to just veg out on the sofa with a bowl of pasta and relax.
This is when these rather pretty bowl and spoon combos from Mocha are rather handy.
Made from earthernware, the generous bowls are perfect for late night suppers and delicious desserts.
Available in a range of stylish colours, the stainless steel spoons rest safely in the specially designed handle.
Dive into an Art Deco dream...
After a £25m regeneration project and more than a decade on the English Heritage ‘Buildings at Risk’ register, the iconic Marshall Street Baths in the heart of Soho has reopened to the public. The first public baths on the site were built in 1850 and the present Grade II listed building first opened in 1931 as The Westminster Public Baths. With a stunning barrel vaulted roof, white Sicilian marble-lined pool and green Swedish marble-clad walls, it’s an Art Deco masterpiece.
Originally built with public funds for the health and wellbeing of local people, the baths included a first and second class swimming pool, a child welfare centre, a public laundry and washing facilities. As well as retaining many of the period details such as the 30s ticket booth, gilt finials on the staircase, and a bronze fountain featuring a frolicking merchild and two dolphins, the regeneration project has maintained the public spirited ethos of the original baths.
Westminster Council carried out the restoration with its development partner, Marshall Street Regeneration, and with the support of local groups such as the Friends of Marshall Street. The restored pool is the centrepiece of a new public leisure centre on the site, including a gym, sauna, and dance and exercise studios. The wider regeneration programme includes 52 new homes, 15 of which are part of an affordable housing scheme. A new street cleaning depo has also been built as part of the project.
Restored to its former glory, the stunning pool is well worth a visit. And it’s not often you get to enjoy such fabulous facilities at council prices. I recommend a bit of sedate sculling: to make the most of that fantastic vaulted roof.
Under the heat of the spotlight, we showcase the best of Duffy London’s furnishings.
Duffy London is an idea-based company that thrives on ideas not only based on similar themes and concepts but designs that are completely unique. Chris Duffy, a graduate of the University of Brighton, has always harboured a love of making and designing products, and with his own studio in east London he has achieved his dream of having his own space to work in.
Chris Duffy has created this company with the aim to encourage inventive and exciting designs that aren’t pinned down by boundaries. He has had a love for designing and making things ever since he was a young child: “I was always making crazy bikes, karts and boats while everyone else was playing football. I remember my junior school teacher asking me what I wanted to do when I grow up, and I said that I wanted to be an inventor.” Chris’ inquisitive mind drove his ambition to create his own business. With regards to where his inspiration comes from, he said “when you have been designing for a long time, you see that all design is a process, usually a very long one, and not just an inspiration, although that does occasionally happen.”
The collection includes a range of furniture, lighting, wallpaper and interior products which are predominantly designed by Chris Duffy himself, although he draws inspiration and ideas from designers that he works with. All products are handmade to order or bespoke, and they are all manufactured in the UK. One of Chris Duffy’s ‘Hero’ products is the Double-sided Hanging Chandelier Glo-Canvas which provides a stunning statement piece to hang above a dining table. It can be hung from ceiling light fittings, and to create a warm ambience each frame is installed with low energy strip lights that illuminate the Chandelier print from within. Digitally printed onto 100% cotton, the image is stretched over both sides of a wooden frame, giving a modern twist on the chandelier and the conventional use of canvases.
The LAB Lamp is one of Duffy London’s newest products for 2010; it’s made from genuine laboratory parts giving it an authentic style. It is available as either a desk/table or a floor lamp and is ideal for task lighting or it can simply be used as an innovative feature piece. The light is provided by an eco bulb, and the flask is sand blasted Pyrex.
I love the quirky personality of the Shadow chair, which was launched at the Milan Salone Satellite in April 2009, because its intelligent design integrates shadow into its structure. The chair appears to defy gravity by standing on just two front legs, however with a closer look the shadow is made from steel which is attached to metal frame built inside the chair. It has a very modernist look; it plays with the representation of space and light and our perception of these things, making us question what is ‘real’. When placed in an interior space it comes into a life of its own, and will certainly make your guests look twice.
Duffy London has strong eco-credentials and Chris explained to us why he believes in the benefits of UK manufacturing: “I think it is important because it makes it possible to get a design from your head and into the shops in a very short space of time, keeping ideas and products fresh, updated, changing and improving, which is never as easy to do if you have products made in China for instance. Eco-friendly design is important not just for the obvious reasons, but because it shows an idea has been thought through properly, any design like this will take into account manufacturing processes, transportation, import duties etc.”
Duffy London will be launching a new dining table at London Design Week in September 2010. This new furniture piece will be another unique addition to the collection; the design cleverly incorporates its runners as its structure by having them run the full length of the table, falling off the edge to become the legs. The juxtaposition of the steel thin legs with the sturdy walnut table top gives an illusion of weightlessness, as if the table is floating. To celebrate the launch, Duffy London is offering a 25% promotional discount on orders placed before the launch. (The offer price is £1495, and the retail price will be £2000 once the offer ends.)
Duffy London products are available on furnish.co.uk and in many outlets in the UK and around the world.
Follow us to blogland and the wonderful world of interiorsHousemartin is brought to you from Portand Oregon, the work of a fashion industry textile designer turned interior decorator and shop owner. The shop, Ink & Peat, is an eclectic mix of vintage and modern homeware, handmade goods and floral design, while the blog offers daily inspiration in the same vein. It’s a great place to pick up on new designers and especially crafty people working in ceramics, printmaking and textiles. If you’re into handmade, vintage and quirky design, this is definitely a blog worth visiting. Named after the little house-proud bird, this blogger’s more of a beady-eyed magpie. The eclectic posts always unearth something beautiful.
You can guess what you’ll find on Absolutely Beautiful Things. Brisbane-based interior designer Anna Spiro began the blog as a record of beautiful pieces that inspire her on a daily basis. And along with posts highlighting great new interiors products, you’ll find posts on Anna’s design projects and photos of the displays in her shop, Black & Spiro. Black & Spiro offers a mix of vintage treasures and modern pieces and there are some great posts on junk shopping and flea market finds. She’s also got a passion for colour, which makes the blog a really uplifting read (love the rose pink background).
Described as a ‘passport to stylish living’ Ronda Carman’s All The Best is an insider’s guide to what’s hot in the world of design. Ronda appears to have a bulging little black book: the blog’s chock full of interviews with industry big wigs, interior designers, artists and other interesting types. Just a few of the brains she’s picked are India Hicks, Jonathan Adler, Rita Konig, and Christopher and Suzanne Sharp (of The Rug Company fame). So you get the picture that it’s a pretty big-hitting blog. Interesting and inspirational, it’s all very slick; you won’t see any flea market finds on here. But if you want to know what makes design stars tick, and what ‘global tastemakers’ are making us think, then this is the blog to visit.
As always, get in touch if you want us to feature your blog next time round.
Have some fun at breakfast time with these animal head egg cups from Liberty. £10.95
Liberty is without a doubt my favourite store in London, in fact I challenge you to find someone who doesn't love this shop, which is as much a landmark as Big Ben and the London Eye.
From its Tudor atrium to the cool and chic, yet ever-so-helpful staff, everything about it oozes class, coolness and beauty.
Which is why it's fab that we're showing some of Liberty's lines here on Furnish.
Nestled in between classic furniture and the iconic Liberty print products, I found these little fellows who brought an instant smile to my face. These egg cups designed to look like rabbit and sheep heads are deliciously kitsch.
Ideal for brightening up a boiled egg and soldiers, they're guaranteed to get a giggle from small and big kids alike.
Snowden Flood gives us insight into her inspiration and she also offers some advice to aspiring interior designers.
For interior accessories designer, Snowden Flood, ‘Home is where the art is’ and this shines through in her designs which expose her love for urban and rural landscapes across the world. Snowden’s designs beautifully capture nature as well as her experience and knowledge of what she sees around her.
Snowden took some time out to answer our questions, and here’s what she said...
If you had 3 words to describe your style what would they be?
Eccentric, British, Nostalgia
Where does your inspiration come from?
Everywhere! From junk shops, art galleries, books, magazines and children’s drawings. Just going out of my front door and looking at the kids playing some odd game in the square; could be anything really.
Your work displays your love of landscapes and scenery. How much are your designs influenced by places you have been and experiences you have had?
Some are much related to experience, for example my Urban Landscape plates came from living in the north in a predominantly industrial landscape and sketches I’d done at the time. Others were inspired by things I found myself drawn to like the shapes that trees make at dusk against the sky; so that developed into a set of glasses. Other products, like my Rivers of the World cups and saucers, were inspired by a book I got from the local Oxfam store called “Great Rivers of the World’ – pieces by famous travel writers about river journeys. It was so evocative that I kept mulling over how you could draw an experience like that.
What’s your ‘hero’ product and why?
I love my world river cups and saucers because they are quite abstract and somewhat understated, and I like that it’s not immediately obvious what the design actually is! But in terms of general popularity, my hero products are the Battersea mugs, plates and aprons, because they are incredibly popular around the world!
Through your designs you explore the theme of souvenirs and keepsakes, is this influenced by your own nostalgic childhood memories and favourite holidays?
I think it has less to do with my nostalgia about my own holidays and more to do with being brought up in rural England by American parents. I was completely fascinated by their photos, stories and all the souvenirs of their former life, even their cars looked so glamorous. It all seemed so different from our lives in the UK, so far away! For example, my grandfather was a writer from California and was married to a silent film star and in a band with Bing Crosby’s brother. He later worked for William Randolph Hearst (who Citizen Kane was modeled on). I think you could say that 1960’s UK was a bit of a shock for my parents!
What is the most recent design product that you have bought for your home?
I have a bad flea market addiction! This week I became the proud owner of a 1940’s schoolroom poster of earthworms, for the princely sum of £4.
You spent many years at world-renowned New York architects Peter Marino & Associates. How much did you learn from this, and what was it like creating designs for clients such as Dior, Chanel and Louis Vuitton?
I learned lots working at Peter Marino. They are known for several things: the quality of the work but also for their ‘revolving door’ policy, i.e. it’s a very hard place to work and most don’t stay beyond 1 year (I worked for them for 8yrs!!). Part of my job was to travel to shows around the world and come up with ideas and concepts. I also had to find manufacturers to make the pieces we designed for our clients. So for example, I might attend a technical textiles show in Germany looking for manufacturers to weave a Chanel plaid in carbon fibre. Then I’d go to the Netherlands to see someone who could embed that fibre into resin panels for a new store in Japan. It was fun but stressful because these clients came to us to provide them with innovative ideas, and the level of quality always has to be the highest. The residential projects were fun, our clients were some of the richest in the world and wanted things in their houses that are completely unique. All good experience for my own business!
Who is your favourite interior designer of all time and why?
There are two that I particularly like. David Hicks for his use of colour and pattern and Oliver Hill because I love Art Deco and his mix of art deco and modernism is very stylish.
What’s your favourite material to work with and why?
I don’t really have a favourite material. I have ideas for everything and don’t really like to be restricted. If you insist I’d say bone china, I like the quality and warmth of it, the colours can be very pure.
What’s your favourite high street home furnishing brand/store?
To be honest I prefer to shop in smaller independent stores and tend to stay away from the high street in general. So… I’d head to Columbia Road in London; I like museum stores like the V&A and the Tate Modern. Other stores I like are places like Mint, Lucas Bond, Abigail Ahern. Out of London some favourites are Article in Dublin, the Craft & Design centre in Manchester, Home Autour du Monde in Paris, Rare Device in San Francisco and NY, the MoMA store and Moss in NY.
What advice would you give to aspiring interior designers?
Have fun and don’t be afraid of colour and personality! I’m not a fan of the beige and brown school of interiors I must admit! Look at people like Wary Meyers, Kelly Wearstler, Todd Oldham.
How important do you believe UK manufacturing is to our economy and the environment?
Well it’s very important to me personally. In terms of quality and integrity of a product it makes all the difference to be able to go to the factory and discuss the issues. I work very closely with my UK manufacturers, and they are following a tradition of craftsmanship that is a key part of the product. However, I would just say that it’s not always easy to manufacture here. Customers have become used to high-street prices and don’t always appreciate that those prices are a result of mass production and – sometimes – low quality. Not everyone wants to buy something that was lovingly and carefully made if it means they have to pay an extra £10 for it!
Are there any designers that you would particularly like to collaborate with in the future?
I like working with Alex Gorlizki and often find that looking at his work gives me ideas. I like Marian Bantjes and Leah Giberson and their work is interesting to me.
What new projects do you have on the horizon?
Lots! I’m working on some new products in polymers as part of a Hidden Art initiative. Also for Hidden Art, I’m part of a consortium proposing design-led gifts for the London Olympics. In addition to this I have two new product ranges in production and am finishing up production for some custom products for Chatsworth House in Derbyshire. Busy!
You can find more information and all of Snowden’s designs on her website at www.snowdenflood.com.
Glam up your lighting with these beautiful pendant lamps from Lemonlu London. £59.95
Pendant lights have always been one of those accessories I never seem to get right.
Table lamps and floor lights aren't a problem, I know what works well in my rooms and, sorry to blow my own trumpet, but usually get it right.
Ceiling shades however, is a different matter all together.
Which is why I'm rather taken with these Indian pendants from delightful online store, Lemonlu London.
Made from hammered metal, their intricate detailing it perfect for giving a room an exotic twist wthout feeling too over the top. The outer part of the shade is painted white but look underneath and you'll discover zesty lime or vibrant colour-of-the-year turquoise.
Perfect for adding a subtle splash of colour to any scheme, these lamps will work well in any room from hallways to bedrooms.
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Give little ones a tea time treat with this Lottie Lion cup, plate and bowl set from Too Much Too Young. £30
When it comes to little people's tableware, it can be tricky to find the right thing.
While you obviously don't want something too grown up, you may be like me and not particularly favour Disney characters either and want something a little less, well, commercial.
Cue Too Much Too Young, a wonderful website for little ones accessories.
They have everything from traditional toys to decorations for small people's bedrooms, all without a whiff of Snow White and her seven followers.
What really caught my eye were the delightful cup, bowl and plate sets. Featuring the cutest of characters such as Nellie Elephant and Lottie Lion, they will make feeding time a treat, not a chore.
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